Commedia Dell' Arte: Characters

Stock characters were created to represent fixed social types, characters began as satires on Italian “types” and became the ground blocks for mnay of the famous characters of 17^th and 18^th century European theatre. Some characters were even named after particular regions of Italy (for example: Meneghino is named after Milan).

In Commedia, the characters can be placed into three categories:

-       Masters

-       Lovers (Innamorati)

-       Servants

Each category has a selection of characters who’s actions and features makes each one unique. For example; if you were to be a ‘master’ you could be the character Pantalone or Il Capitano , for a ‘lover’ you could be Isabella or Lelio  and for a ‘servant’ you could be Zanni or Colombina . These are only a few of the many characters found in Commedia Dell’ Arte.

Character Profile

Name: Il Capitano

Description: Il Capitano is somewhat of a coward, he speaks his mind and often talks about himself as though he is richer and stronger than anyone else but when something comes his way (for example; some one tries to duel with him) Il Capitano is quick to run away. He is ‘a peacock who has moulted all but one of his tail feathers, but he does not know it.’ - Rudlin

Costume: As Il Capitano is of military status, he is usually wearing uniform of some kind. This could include a feathered hat or helmet, huge boots and exaggerated garters.

Mask: Il Capitano’s mask can be seen as a ‘long nosed crocodile mask’. It is often flesh coloured with a long nose (his signature feature) and was accompanied by a fierce, bristling moustache. This mask was created to represent a contrast between a brave appearance and a craven nature.

Actions/Pose: Il Capitano often has his right hand on his unused sword and uses his left hand to create exaggerated gestures. He is often ‘strutting’ his way around but when frightened, he drops everything to just run on the spot.